This modified image from the CSSE-SCÉÉ conference website is used with permission.

The War Horse. With cloud painting by Pēteris Kundziņš. Anna Romanovska (2019).

"Amanda's Wounded Left Eye Sees Its Reflection". Mixed media collage. Amanda May (2019).

“Understory” by Pauline Sameshima & Patricia Morchel, 2018, 3’ x 3’,
Acrylic paint and India ink on canvas. From the series, Canopy Promises.

Kaleidoscope Triptych, by T. Pearl, 2018. Artist statement: "A kaleidoscope is a container that takes in fragments and transforms the relationship between them. . . . As the fragments reflect and echo each other, they become connected and woven together in a communal dance of colour, shape and form."

Post-Truth Simulacra, by P. Sameshima, 2017.

Remix of “Alice discovers a bottle marked ‘Drink Me’” by Sir John Tenniel (1985 edition) in Alice’s Adventures in Wonderland. The image is provided via Wikimedia Commons. Remix by P. Sameshima, 2017, Please see editorial.

Bob Kull (2001). Glacier Trip 2 [photograph]. A Year in Wilderness Solitude. Spring Collection. bobkull.org.

Darlene St. Georges (2011). "Original Syntax." 20"x 30". Oil on canvas.

Currere in Place [digital image]. P. Sameshima, 2016

Image by: Launa Gauthier

Picture by Theodore Christou

Photo by Theodore Christou

Contrails, 48"x72", oil on canvas, 2012 by Scott Waters

Fairbridge Farm School (2010), Michelle Jackson.

Haunted (2001), C. Brushwood Rose & A. Camilleri

"Attractor of Love" (2005), Krystyna Laycraft. www.krystynaart.com

Screenshot from FluTube (see Jenson et al, this issue).

Untitled (2009), Jennifer Thomas. www.jenmariethomas.com

Renewal (2008), C. Brushwood Rose

"Passing Angel", by Carolina Cambre

Video still from "Contact/Border: A Brief Lesson in History" (2007), by Spy Denomme-Welch (www.anindienrightsreserve.com).